<feed xmlns="http://www.w3.org/2005/Atom"><title>baramizuri&#39;s Ownd</title><link href="https://baramizuri.therestaurant.jp"></link><id>https://baramizuri.therestaurant.jp</id><author><name>baramizuri</name></author><updated>2020-08-05T00:58:17+00:00</updated><entry><title><![CDATA[xmovies8 Guest Artist 2019 Streaming Mobile Site]]></title><link rel="alternate" href="https://baramizuri.therestaurant.jp/posts/9302254/"></link><id>https://baramizuri.therestaurant.jp/posts/9302254</id><summary><![CDATA[Reviews: The story of a young man coming face to face with his hero (Jeff Daniels) and exploring the tangled relationship between the dreams of youth and the wisdom of age
Tomatometers: 5,2 of 10 Star
duration: 74 Minutes
Year: 2019
Genre: Drama

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If you're lucky enough to see this film. GO. Jeff Daniels is at the top of his game as is the rest of the small cast. The staging and cinematography is claustrophobic and gorgeous. The themes of "what is art" and "what is an artist" are so well thought out with such a gorgeous/grotesque twist at the end that I was stunned into silence. It's a force to be reckoned with.
Greetings again from the darkness. "Based on an incident which became a play which became a movie." It's with this note, the film version of Jeff Daniels' 2006 play begins. Daniels also stars as (fictional) playwright Joseph Harris, who won a Pulitzer Prize, an achievement he rarely lets anyone forget. Harris' success seems to have left him tormented and blocked, as he hasn't written anything "readable" in 20 years. a tidbit we learn from his agent (Erika Slezak, more than 2200 episodes of "One Life to Live. The two meet for "coffee" which is literary code for early drinking. a hobby Harris seems dedicated to during all waking hours.
That scene with Mr. Daniels and Ms. Slezak is one of the two best in the film - the other being near the end. The two long time collaborators wage a war of words - some offensively, others defensively - and the agent gives as good as she receives. When he claims to hate television, and proclaims "I'm a playwright" she counters with "You're a dinosaur." We learn much about the Joseph Harris character in this sequence. While it's easy to label him a burnout, we sense there is something deeper that has him dreading the trip from New York City to Michigan to fulfill a contractual obligation with a local theater group.
Once Harris arrives in small town Michigan, the vast majority of the rest of the film is shot inside the quaint train depot. a station that most of the passing trains don't even slow down for. Over-eager playwright-wannabe Kenneth Waters (played by newcomer Thomas Macias) is late to meet his hero, and for that, he is subjected to mounds of verbal abuse from Harris, who can barely maintain consciousness over inebriation. Despite his love for the bottom of bottles, Harris proves always capable of a vicious diatribe directed at easy target Kenneth. However, periodically mixed in with the poison, are some words of wisdom for the young man.
The bulk of the film is a competition between Harris and Kenneth. Can the young local theater apprentice convince the washed up legend to stay in town and fulfill his theatrical duty? Adding spice to the proceedings is the train master (played by Richard McWilliams) who not only wields a wicked baseball bat, but he also sees, hears, and judges everything that happens in his station.
As part of the ongoing negotiations, Harris agrees to read the first play Kenneth has written. The young man eagerly awaits the insightful feedback from his idol, but the moment becomes a lesson in worshipping heroes. they are just as human as us. Mr. Macias does manage to mostly hold his own in what easily could have been a one-man show, if not for Harris' need for someone at whom to direct his rants. We half expect Kenneth to mutter, I'm your number one fan! as he absorbs the insults and takes in the life lessons.
The backstory for this one is pretty interesting. Mr. Daniels admitted in an interview that he wrote the story based on actual events in the theater many years ago involving playwright Larnford Wilson, who might not view that as a compliment, were he still alive. This is also the first film under Grand River Productions, a joint venture of Mr. Daniels, Tim Busfield (who directs the film) and Mr. Busfield's wife, actress Melissa Gilbert ( Little House on the Prairie. It was shot mostly in Chelsea, Michigan where Mr. Daniels lives, and where he founded his Purple Rose Theater Company. And the homegrown aspect goes even deeper. Busfield's son Wilson Coates Busfield is the DP, while Daniels' son Ben did the composing.
It seems obvious that Daniels learned some lessons on structuring dialogue from his time on "The Newsroom" with Aaron Sorkin. We hear it in such lines as "I'm a playwright. I'm eternally serious" as well as the ongoing battle between hope and cynicism. Typing out the opening credits is a nice tough for a movie featuring a writer, but the "I'm not sorry" bits are overplayed. As mentioned previously, the two best sequences are that opening in NYC, and the scene outside the depot near the end, when Harris comes clean on what he's written and why - a scene that also includes the best and most heart-breaking line in the film. It may not be "The Great American Play" but there is plenty here to take in and think about. Sorry, not sorry.
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Glad I discovered this one. I'm always amazed when someone makes their debut at such a high level. I've always loved Jeff Daniels and Thomas Macias was just great in his debut performance. Just a enjoyable story, told well and acted wonderfully.
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Too bad this movie is so unknown and difficult to get hold of, because it honestly is TRUE to LIFE, with GREAT acting performances and a touching, witty story. It is beyond me, why this movie has gotten so little attention, although I read it was due to judicial corporate reasons. Sometimes movies simply fall victim of a bad release and lots of judicial corporate shenanigans. This is one of those unfortunate stories, but hold your horses, because this is definitely still a great gem.
For anyone who loved Jeff Daniels in the past or simply wants to see a true to life comedy about a looser, this is the perfect (unknown) gem for you.
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 ]]></summary><author><name>baramizuri</name></author><published>2020-08-05T00:58:17+00:00</published><updated>2020-08-05T00:58:17+00:00</updated><content type="html"><![CDATA[
		<div>
			<p><br></p><p>Reviews: The story of a young man coming face to face with his hero (Jeff Daniels) and exploring the tangled relationship between the dreams of youth and the wisdom of age<br>
Tomatometers: 5,2 of 10 Star<br>
duration: 74 Minutes<br>
Year: 2019<br>
Genre: Drama<br>
<img src="https://m.media-amazon.com/images/M/MV5BMTMwMjdhZTYtZGExMS00NThkLThjN2QtZTM0NDM2MGU2OGQyXkEyXkFqcGdeQXVyMTQ2OTU2OTQ@._V1_SY1000_CR0,0,629,1000_AL_.jpg"><br></p><p>
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If you're lucky enough to see this film. GO. Jeff Daniels is at the top of his game as is the rest of the small cast. The staging and cinematography is claustrophobic and gorgeous. The themes of "what is art" and "what is an artist" are so well thought out with such a gorgeous/grotesque twist at the end that I was stunned into silence. It's a force to be reckoned with.</p><p>
</p><p>Greetings again from the darkness. "Based on an incident which became a play which became a movie." It's with this note, the film version of Jeff Daniels' 2006 play begins. Daniels also stars as (fictional) playwright Joseph Harris, who won a Pulitzer Prize, an achievement he rarely lets anyone forget. Harris' success seems to have left him tormented and blocked, as he hasn't written anything "readable" in 20 years. a tidbit we learn from his agent (Erika Slezak, more than 2200 episodes of "One Life to Live. The two meet for "coffee" which is literary code for early drinking. a hobby Harris seems dedicated to during all waking hours.<br>
That scene with Mr. Daniels and Ms. Slezak is one of the two best in the film - the other being near the end. The two long time collaborators wage a war of words - some offensively, others defensively - and the agent gives as good as she receives. When he claims to hate television, and proclaims "I'm a playwright" she counters with "You're a dinosaur." We learn much about the Joseph Harris character in this sequence. While it's easy to label him a burnout, we sense there is something deeper that has him dreading the trip from New York City to Michigan to fulfill a contractual obligation with a local theater group.<br>
Once Harris arrives in small town Michigan, the vast majority of the rest of the film is shot inside the quaint train depot. a station that most of the passing trains don't even slow down for. Over-eager playwright-wannabe Kenneth Waters (played by newcomer Thomas Macias) is late to meet his hero, and for that, he is subjected to mounds of verbal abuse from Harris, who can barely maintain consciousness over inebriation. Despite his love for the bottom of bottles, Harris proves always capable of a vicious diatribe directed at easy target Kenneth. However, periodically mixed in with the poison, are some words of wisdom for the young man.<br>
The bulk of the film is a competition between Harris and Kenneth. Can the young local theater apprentice convince the washed up legend to stay in town and fulfill his theatrical duty? Adding spice to the proceedings is the train master (played by Richard McWilliams) who not only wields a wicked baseball bat, but he also sees, hears, and judges everything that happens in his station.<br>
As part of the ongoing negotiations, Harris agrees to read the first play Kenneth has written. The young man eagerly awaits the insightful feedback from his idol, but the moment becomes a lesson in worshipping heroes. they are just as human as us. Mr. Macias does manage to mostly hold his own in what easily could have been a one-man show, if not for Harris' need for someone at whom to direct his rants. We half expect Kenneth to mutter, I'm your number one fan! as he absorbs the insults and takes in the life lessons.<br>
The backstory for this one is pretty interesting. Mr. Daniels admitted in an interview that he wrote the story based on actual events in the theater many years ago involving playwright Larnford Wilson, who might not view that as a compliment, were he still alive. This is also the first film under Grand River Productions, a joint venture of Mr. Daniels, Tim Busfield (who directs the film) and Mr. Busfield's wife, actress Melissa Gilbert ( Little House on the Prairie. It was shot mostly in Chelsea, Michigan where Mr. Daniels lives, and where he founded his Purple Rose Theater Company. And the homegrown aspect goes even deeper. Busfield's son Wilson Coates Busfield is the DP, while Daniels' son Ben did the composing.<br>
It seems obvious that Daniels learned some lessons on structuring dialogue from his time on "The Newsroom" with Aaron Sorkin. We hear it in such lines as "I'm a playwright. I'm eternally serious" as well as the ongoing battle between hope and cynicism. Typing out the opening credits is a nice tough for a movie featuring a writer, but the "I'm not sorry" bits are overplayed. As mentioned previously, the two best sequences are that opening in NYC, and the scene outside the depot near the end, when Harris comes clean on what he's written and why - a scene that also includes the best and most heart-breaking line in the film. It may not be "The Great American Play" but there is plenty here to take in and think about. Sorry, not sorry.</p><p>
</p><p>Guest artist 2019 streaming mobile sites. 
Glad I discovered this one. I'm always amazed when someone makes their debut at such a high level. I've always loved Jeff Daniels and Thomas Macias was just great in his debut performance. Just a enjoyable story, told well and acted wonderfully.
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Too bad this movie is so unknown and difficult to get hold of, because it honestly is TRUE to LIFE, with GREAT acting performances and a touching, witty story. It is beyond me, why this movie has gotten so little attention, although I read it was due to judicial corporate reasons. Sometimes movies simply fall victim of a bad release and lots of judicial corporate shenanigans. This is one of those unfortunate stories, but hold your horses, because this is definitely still a great gem.<br>
For anyone who loved Jeff Daniels in the past or simply wants to see a true to life comedy about a looser, this is the perfect (unknown) gem for you.</p><p>
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	]]></content></entry><entry><title><![CDATA[キvuduサ Watch Love (2015) Online Free Full Episodes Without Downloading]]></title><link rel="alternate" href="https://baramizuri.therestaurant.jp/posts/9302248/"></link><id>https://baramizuri.therestaurant.jp/posts/9302248</id><summary><![CDATA[Directed by: Gaspar Noé
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This was from the director of 'Irreversible. This story was told in backwards. It opened with a married couple having sexual intercourse and after a phone call, the flashback rolls. Which begins from that point of the story where it stands to where it all began as per the film character who recalls all the events. Actually, it was impressive idea, not that reverse way storytelling, but how the characters were drawn. And then the story was very simple, like the film '9½ Weeks' the drama and the sex parts shared the remaining narration alternatively for like every 10-15 minutes.
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 ]]></summary><author><name>baramizuri</name></author><published>2020-08-05T00:57:22+00:00</published><updated>2020-08-05T00:57:22+00:00</updated><content type="html"><![CDATA[
		<div>
			<p><br></p><p>Directed by: Gaspar Noé</p><p>
</p><p>Average Ratings: 6,3 of 10</p><p>
</p><p>Drama, Romance</p><p>
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</p><p>Love death and robots. 
Love aaj kal 2. 
Lovelace. 
Loverboy. 
Lóverseny budapest. 
Lovecraft country. 
Love shot exo. 
Love handles. 
Lovely peaches. 
This was from the director of 'Irreversible. This story was told in backwards. It opened with a married couple having sexual intercourse and after a phone call, the flashback rolls. Which begins from that point of the story where it stands to where it all began as per the film character who recalls all the events. Actually, it was impressive idea, not that reverse way storytelling, but how the characters were drawn. And then the story was very simple, like the film '9½ Weeks' the drama and the sex parts shared the remaining narration alternatively for like every 10-15 minutes.<br>
I wanted to like it, but not convinced with the blend between both the drama and sex scenes. They should have developed and blended them together better. Especially since the storytelling was reversified, one of the major plot holes is not solved or revealing what could have happened to that particular character on which this plot was developed. If you are not concerned about the storyline and looking for adult contents as in a film, not as a better porn film, then you might enjoy it.<br>
The other major issue was the length. Two hours long for an adult film means teasing and testing your patience. It should have been under 90 minutes, that would have speeded it up a bit. The actors were decent. The film poster was so hot, it will drag you to watch this film. But I would say not to expect big, either adult stuffs or from the dramatic segments. Within its frame, it delivered, but for me it was an average and a little below.<br>
4.5/10. </p><p>
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Love story disco lines. 
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Love and hate. 
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Love me harder. 
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Love at sea. 
Loveland co weather. 
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Love korea. 
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By the reviews that I've read on this page and others calling it just porn, I assume the movie had literally just sex. I was surprised to see that the even though the sex scenes are long, it's definitely not the whole movie, neither it feels like porn. The problem relays in the fact that I've seen porn with more content than this. More artistic, better edited. That should give you an idea of what type of film this is. The protagonist is insufferable. I hated him 5 minutes into the film. And we don't get to know the rest of the characters either, in consequence, you don't really care what happens to them. The performances are mediocre. At times it truly feels like an amateur project. The shots get repetitive and boring and the dialogues fall flat. This a good idea, let's show a relationship from a sexual point of view without censoring. I appreciated that but where's the real intimacy, the real feeling. I have no idea. Nymphomaniac did it. I haven't met anyone who has seen that movie and hasn't feel overwhelmed. There's emotion, pain, struggle. The main topic, of course, is different, but I think you get the point. Love is more than what you see here. Actually, love shouldn't be what you see here.</p><p>
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